02. Experiments in (Social) Software Curating - References

Albert-L´szló Barabási (2002) Linked: The New Science of Networks, Cambridge, Mass.: Perseus Publishing.

Paul Brown (1998) "30 Years on-Remembering Cybernetic Serendipity", in Outline, the CTIAD Journal 6 (Autumn 1998).

Jack Burnham, (1970) Software, Information technology: its new meaning for art, New York: The Viking Press.

Paul E. Ceruzzi (1998) A History of Modern Computing, Cambridge, Mass.: MIT Press.

Florian Cramer (2002) "Concepts, Notations, Software, Art", in Olga Goriunova and Alexei Shulgin, (eds.), Software Art: Thoughts', Read_me festival 1.2, catalogue, Moscow: Rosizo, State Centre for Museums and Exhibitions, pp. 18-24.

Matthew Fuller (2003) Behind the Blip: essays on the Culture of Software, New York: Autonomedia.

Peter Funken (2004) "Curators - Just More Lice on the Artist's Bum", in Ute Tischler, Christoph Tannert, eds. (2004) MIB-Men in Black: Handbook of Curatorial Practice, Berlin: Revolver Books.

Charlie Gere (2005) "Jack Burnham and the Work of Art in the Age of Real Time Systems", in Morten Sondergaard, ed. Get Real, Informations Forlag & The Museum of Contemporary Art in Roskilde: Informations Forlag, pp. 149-163.

Olga Goriunova (2007) "Internet platforms: cultural production in late capitalism", paper delivered at the New Network Theory conference, June 28 - 30 2007, University of Amsterdam (http://www.networkcultures.org/networktheory/index.php?onderdeelID=12&paginaID=75&itemID=197).

Olga Goriunova, Alexei Shulgin (2006) "From Art On Networks To Art On Platforms", in Joasia Krysa, ed. Curating Immateriality: The Work of the Curator in the Age of Network Systems, DATA Browser vol. 3, New York: Autonomedia, pp. 237-267.

Olga Goriunova, Alexei Shulgin, eds. (2004) Read_Me: Software Art & Cultures - Edition 2004, Ãrhus: Digital Aesthetics Research Centre, University of Ãrhus.

Olga Goriunova, Alexei Shulgin, eds. (2002) 'Software Art: Thoughts', Read_me festival 1.2, catalogue, Moscow: Rosizo, State Centre for Museums and Exhibitions.

Nigel Gosling (1968) "Man in an automated wonderland", article in The Observer (4.8.1968).

Brent MacGregor (2002) "Cybernetic Serendipity Revisited", proceedings of the fourth conference on Creativity & Cognition, C&C'02, October 14-16, Loughborough, UK, pp, 11 - 13. Paper is available online (http://design.osu.edu/carlson/history/PDFs/cyberserendipity.pdf) [last accessed 16/01/08].

Adrian Mackenzie (2006) Cutting Code. Software and Sociality, New York: Peter Lang.

Susan Morris (2001) Museums and New Media Art, A research report commissioned by The Rockefeller Foundation, online (http://www.cs.vu.nl/~eliens/archive/refs/Museums_and_New_Media_Art.pdf).

Paul O'Neill, posting to Curatorial Network List, 23 October 2007 (http://www.curatorial.net/pipermail/curatorial/2007-October/000142.html).

Christiane Paul (2006) "Flexible Contexts, Democratic Filtering, & Computer-Aided Curating", in Joasia Krysa, ed. Curating Immateriality: The Work of the Curator in the Age of Network Systems, DATA Browser vol 3, New York: Autonomedia, pp. 81-103.

Alf Rehn, posting to iDC list, thread title "Kurating Keen", 25 August 2007 (https://lists.thing.net/pipermail/idc/2007-August/author.html).

Jasia Reichardt, ed. (1968) Cybernetic Serendipity, Studio International 1968, Special Issue, London.

Edward A. Shanken (1998) 'The House That Jack Built: Jack Burnham's Concept of "Software" as a Metaphor for Art', in Leonardo Electronic Almanac, 6:10, November, online (http://mitpress.mit.edu/e-journals/LEA/ARTICLES/jack.html) [last accessed 16/01/08], reprinted in Roy Ascott, ed., (1999) Reframing Consciousness: Art and Consciousness in the Post-Biological Era, Exeter: Intellect.

[All websites last accessed 16/01/08]